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Spandar
Herum Mand
Ecapt/Nebcra
- 1.3E10
I Am That One
We don't know if our Life began
on a planet, in Space itself, or somewhere we cannot even imagine. All
we
can be sure of is that it began its planetary phase
on one or another
of those worlds spawned by most A and F class stars as a part of their
formation
- and their deaths; their rocky cores can only be produced by the heavy
elements
spewed out by those very same stars when they nova. Indeed, that is the
price
of our gift of life, we meet a grisly end if we fail to evolve quickly
enough
to reach Space. We lost nearly twenty percent of our worlds that way
before
the Torsyne Advent.
Unlike the planets in the outer orbits of our stars, those occupying
the inner ones possessed temperatures high enough to cause their
hydrogen and helium to boil off into Space. The
gases that remained were mostly methane, ammonia, and water vapor, with
traces
of carbon monoxide, carbon dioxide and nitrogen. With gravitational
fields
that on some worlds exceeded 10g at the solid surface, the pressures of
the
planetary gases on this, in combination with the vigorous electrical
and
photochemical activity, turned their lower layers into an oleaginous
liquid
thousands of meters deep. Though a little
water gushed out
through the fissures in their solid crusts, there was
never enough to form more than small pockets
under the
oil. It would play no role in the evolutionary future
of
these worlds.
The first life on our worlds
would evolve solely on the surface
of the oil, and it was a very different life from what we now
know. Because sunlight penetrated only a few millimetres below the
oil's surface, the first succesfull multicelular organisms
were
moulds. These would spread quickly across an entire world, then compete
against each other in what was esentially a two-dimensional form of
evolution. Only one would win. `Saeconu'
as we would come to call it, formed strands of organic crystals that
could form into a tough, resilient mat. Unlike the other moulds, this
was able to better withstand the wind-driven waves that could be tens
of meters high even in that thick oil. As the strands of saeconu grew
and thickened further,
the
waves grew flatter, which allowed the new surface to stiffen and become
quite immovable except for the rising and
falling
of tides on those worlds with sufficiently large moons.
But the saeconu did not stop there. Since it was able to keep
feeding itself by drawing up the oil
on which it floated through capillary action, it remained alive
throughout its fibrous bulk. It therefore kept on growing and
expanding, buckling into hills and valleys like a bacteria colony outgrowing
some vast spherical daihu dish.
As a result these
folds could grow into hills and valleys several thousand meters in
height or depth. They were limited only by the lower temperature and
reduced pressure at altitude, or by the reverse at the bottom of the
valleys.
Paraffin
`rains' then began to fall on their lee sides
to bring our worlds their first true weather.
Many of the valleys were
deep enough to descend well into the Oil Ocean. The oil then seeped
through
to create long, thin lakes of various configurations from
straight to extreme sinusoidal..
Although the saeconu would immediately try to cover and fill
them, so many nutrients had been filtered out of the oil by its mostly
dead bottom layers that none could grow.
The parafin rain also accumulated in
them, which
changed their chemistry in such a way as to allow the second
wave
of evolution to begin. The most important change was that they
gradually became transparent, the sunshine meant new life could be
three-dimensional.
At first it was based itself on a number of genetic
molecules, but the Ijusta one so
familiar to us today quickly predominated once it evolved. With codons
based
on groups of four nucleotides, the silasands of
its resulting cells
could select from a range of over eighty carnoaprennas to
build their proseils. And they could build
quickly, which was just as well.
Since Evolution is blind, it has go down many blind corridors
in
a
random maze before it finds one that leads to the next level of Life's
curious
structure. Yet while each such level is also a random maze, they all
have
roughly the same shape on each world, are usually reached in the same
order,
and together have the same rough time limit for completion, around 100
million
years from the first life-form that was able to climb
out of the lakes onto the saeconu.
This was a single-celled plant. But it
was unable to
feed on the saeconu itself since that was an `alien' life-form with a
completely different genetic structure. It could only feed on the
`soils' created from the weathering of its mountain summits and washed
down by the streams and rivers. Indeed no subsequent
lifeform would ever be able to feed on the saeconu. It might as
well
have
been solid rock, albeit a living one.
Because of the strong gravitational
forces, the more
complex plants that then evolved became rather like the saeconu
over which they spread; low, flat, and
so closely brachiated that they presented a near-solid surface to the
world.
This provided for both their physical support and the essential
exchange
of gasses needed for their life.
The
animals that eventually came ashore after them had to overcome similar
problems, plus special ones of
their own. They began by
shrinking
the cells of which they were made to give them sufficient
structural strength. Those with internal skeletons of any kind had to
forgo
them for external monocoque ones with internal partitions to minimize
movement
of their vital organs. These cases also had to be flat and wide with
few
appendages
except the many legs required to move them, often many more than the
ten
we have today. Muscles of course also had to become many times
stronger.
Few animals therefore ever flew, and those that did were seldom
self-powered,
but developed lifting-body forms that put them at the random mercies of
the
wind.
With the orange and deep red colorations of those Plants, the
blues and purples of the Animals,
and the many yellows of the saeconu itself, our worlds acquired for
that
first
time their truly exquisite beauty of coloration.
Then, finally, that extraordinary pincer-eye-brain evolutionary loop
happened to one of those little blue animals
on many of those worlds to produce us, the
Hysadder. Our intelligence
would not help us with everything, especially our population growth. In
that
respect we grew even faster than the saeconu had. Once a
world
became covered in hundreds of trillions of individuals, each capable of
producing
ten offspring in a lifetime, then even accident and disease could not
prevent
the buildup of a reproductive momentum that doubled our numbers every sulyet.
Our first solution to that problem, if one could call it a solution,
was that of
warfare. This became the primary driving
force behind the cultural evolution of virtually all Hysaddic races, at
least
those known to have survived. As most races learn however, warfare is
most
effectively conducted not when individual fights individual, but when
they
group together to fight other groups. Within each group there must
therefore
be a strong sense of common cause, and it was upon this that the more
benevolent
Hysadden emotions evolved. These, working in a complementary way with
our
original baser instincts, led us in turn to those things which define a
culture,
from ethics to entertainment. Then, in that same hard trial and error
way
in which a mind must apparently move from passionate idealism to
pragmatic
maturity, our primitive lennenes of myth and
legend dissolved away
and replaced with the more solid structures of science and technology.
That lead us in turn to the second solution to our overpopulation
problem, though in the end it was no better. We spread to all the
other worlds we could find that were suitable for our kind. We took
where
we could only those worlds where life had not yet evolved, or was
clearly
at its earliest stages of evolution. Those days of our Great Expansion
were
filled with peace and delight; we had much to discover, and we could
range
as far and as wide as we pleased.
Then came the Nessiks, the Sumal Wars that resulted from them,
and
the third and final solution to our again-building
overpopulation
problem: the Torsyne. They were certainly effective in that,
but
they cost us
our freedom to live as we pleased and pay the fair
and reasonable price for it to which we had always been accustomed.
And now, to the very best of my knowledge, I am the last Hysadder to
have lived in those free times, during which I was a simple trader in
antique timepieces. After the Torsyne Advent, like almost everybody
else,
I did nothing. I have only been busy
again during these last few weeks of my life trying through the
Iskurahi to
locate others who knew those free and wondrous times. But there really
appears
to be nobody else left.
Now it will soon by my turn to leave, when my case finally splits open
and spills my life into the kavuma in which I now
lie. That is what I have chosen, the old fashioned
free way. At least the Torsyne have allowed me that. So in the
meantime,
farewell, and may you find a solution to your new problems and a better
use for your freedom than we made of ours.
If you ever win it back.
Lindrisirpednu
Sunda/Far Pranrana/Iskurahi
- 3.9E6
Far Pranrana
The cultural evolution of my World's
people was very unusual compared to that of most Worlds. We discovered
all
the right things in all the right order, rather like those very few
children
whose progress towards adulthood seems so smooth and certain one cannot
imagine
anything standing in their way. And that was because, like most such
children,
we had a good start. The philosophical and scientific discoveries of
our ancestors turned out to be solid foundations on which to
build.
For they ensured science would quickly become accepted as the most
demonstrably effective way of
describing Fundamental Reality by all of Far Pranrana's cultures
and religions.
We therefore bypassed the
adolescent
`dark ages' most Worlds undergo. What can often take several thousand
years
took barely three hundred on Far Pranrana.
However the price we would soon pay for this precociously early accord
between mind, body and soul would
turn out to be as strange and unique as our World itself. Perhaps if
Far
Pranrana had followed the more conventionally erratic way of things and
undergone
the upheavals and cataclysms most Worlds apparently must as a part of
their
development, it might have survived what was to come.
Our Contact went well enough, indeed we found it enlightening. Unlike
most Worlds, we had no feeling that
the Scientific ground had been cut from under our feet. We not only saw
the
Torsyne as the only logical outcome of Organic Life's experiments with
intelligent
machines, but the most fortunate that could possibly have occurred.
Barely weeks afterwards however, before our initial euphoria had time
to wear off, a long-dormant volcano near
Far Pranrana's equator suddenly blew itself out of the sea in a
cataclysm of far greater proportions than anything in our planet's
history. The resulting dust particles swirled all over our upper
atmosphere and dimmed our skies to the point where most of our staple
crops failed. Before Contact of course this would have been disastrous
for us. But once most of the dust had fallen back onto land and
sea, people all over the world were able to watch and enjoy the
effects of the finer dust particles remaining in the
sky. Spectacular
thunderstorms blew through
the mellow, autumnal days that began and ended with the most
spectacular dawns
and sunsets any World has ever seen. But even that was not all, for a
purely
coincidental series of electrical outbursts on our Sun filled our
nights
with auroral arcs, streamers and curtains of rippling primary colors
that
reached well into the subtropical regions.
We had never experienced anything
like a Romantic Era at any time in our cultural history, our unusually
early
preoccupation with the intellectually rigorous aspects of
Human
Reality
had precluded any such self-indulgence. But now, with this deluge of
meteorological
narcotics, the last barriers preventing our people from uniting
completely
into One finally went down. There was no way we could prevent ourself
as an entire World from being swept up in a
hopelessly tumultuous storm
of yearning, ecstatic Passion.
This didn't mean however that
we spent all our days languishing in narcotic bliss. Indeed, most of us
were
busier than we had ever been in our entire lives. We indulged ourselves
in
an orgy of reconstruction of the kind many Worlds do after Contact, but
at
such a vastly accelerated pace that some concern began to be felt in
the
Iskurahi which I had, as a government official, become closely
involved.
We rid our World of all its rubbish and its environmental eyesores. We
cleaned
up our towns and cities, our sprawling industrial estates, the
landscapes
that had been despoiled by mining or slash-and-burn agriculture, our
lakes,
rivers and oceans. Not that there was really very much cleaning up to
do,
for having made our lives Voluntary at a far earlier stage than most
Worlds,
our entire population had at that time stabilized at one hundred
million.
But the task nevertheless seemed colossal and urgent, we even treated
the
vast numbers of Tinsla we `borrowed' as if these too would share our
New
World on equal terms when the work was done.
Once our self-appointed task was complete, we just walked away from our
old lives and moved into the once-remote
coastal areas and natural parklands with little more than bedding, one
or
two of our favorite belongings, a Doanadar, and a Taurnal Dome for
shelter.
Many people in the tropics didn't even bother with those items, they
left
everything behind to live like self-styled `Children of Nature' in the
Primeval
Nursery. All that is except for our Pasovirs; we were one of
the
very few Worlds to develop those independently. Not only could we look
at those exquisite dawns and sunsets, we could
actually fly into them, ducking and weaving round
cumulus clouds or following along the
lines of rich, golden cirrus like huge man-shaped birds.
All this began to raise even more questions for the Iskurahi, for what
would happen when the dust literally settled and the atmospheric magic
dispersed, as it eventually had to do?
The answer took a while to become clear. People began to
disappear, only in ones and twos at first, then a few
more
at a time. They apparently just rose in the middle of the night and
walked
into our Terminal Facilities which had been a part of our culture
almost
as soon as it first arose. Perhaps that very same question had begun to
gnaw
away at the back of their minds too. Yet the
people who remained went
about their lives as if none of this was happening, as if
they
didn't
notice. Or chose not to.
There was nothing the Iskurahi could do, even when those quiet
disappearances became an accelerating trend. Had it been a physical
disease epidemic that was causing my people to die in
their thousands, then in their millions, they would have been able
to intervene. But because of the Torsyne Population Restrictions, they
had
to treat this `epidemic' as if all those people had individually
decided to enter the Facilities of their own free
will. Nor could they declare the
World a Lalleldil Community because of that fine line between
non-interference and justifiable cause. For we had no deranged leaders,
secret meetings, exhortations,
no persuasion of any kind. Nor were any off-worlders involved since our
Emergence
was not due for two more decades. There appeared to be nothing
more than a
simple
tacit understanding passing from one person to another like some
horrendous
preternatural electricity.
By the time that long magic autumn came to an end, nearly thirty
percent of my World's entire population had vanished from its face. The
effect on those who remained cut so deeply that a second rash of
Terminations broke out, for a life in which close friends,
relatives, even one's parents might suddenly not be there was just too
painful.
The cycle of loss and disappearance that built up quickly became
self-sustaining,
then finally even more all-consuming than the first wave of suicides.
And now, after just five years,
Far Pranrana has become beautifully clean, parklike, Romantic, empty.
The Iskurahi have not Closed our World Out however. Nor will they do
so, for there is nothing to Close Out. Most of the
last survivors, numbering just 988 of us in all, happened to be on
other Worlds at the time of its bewitching and were lucky enough not to
be drawn back by it. We have now mostly drifted away in our ones and
twos to other Worlds, probably never to return. Far Pranrana has now
become one
of
those extremely rare Worlds in which, although its people all died,
the World itself lives on.
And the future? All I know is that I too will never go back.
It is as if Far
Pranrana
has become some vast, exquisitely detailed engraving, and just as
impossible
to live in.
TRANSIT
"Please tell us, Eve," Quincey tested her
again, grinning from ear to ear.
"No," Eve replied firmly
as if Quincey was a willful child whom she no longer felt inclined to
indulge.
"The Iskurahi asked me not to spoil your nice surprise. Now let me get
on
with some navigation will you? Otherwise you won't see it today."
"Don't tease the spaceship, Quince," Barkworth gave her hand a squeeze.
It was perhaps just as well that Eve's Transfer Point turned out to be
only ten minutes away from Rock of Ages. It could just as easily have
been on the other side of that strange World's sun, now swinging gently
into position directly overhead in
Eve's prosaic black star-filled `sky'.
At last its center lay exactly on the line between Eve and her
indeterminable destination unguessable light-years
away. Then, with a cursory "we're on our way," Eve signaled the
beginning
of the fifteen to twenty minute-long Transfer that always fascinated
her
passengers even though she had taken them through it so many times over
the
nearly two years since they had first found her.
They nestled down into the sofa so that they could watch more
comfortably. Although Eve moved horizontally relative to planetary
surfaces, her `bow' was always overhead during aTransfer. "Technical
reasons," was all she had said when Quincey once asked her about it.
At first the star's appearance didn't change. Then, slowly, it turned
green. Then blue, then purple. The Doppler effect was shifting the
visible light the star predominantly emitted down the spectrum as Eve
picked up speed on her headlong plunge toward it.
Suddenly, as this radiation moved into the invisible ultraviolet, it
dimmed
noticeably and began to vary wildly in size as the fainter infrared,
microwave
and radio frequencies it emitted from its variety of `surfaces' became
visible
as colors in their turn. The star began to look more and more like a
reflection
in a black plastic diffraction grating that was beginning to buckle as
it
melted...
Quincey and Barkworth had first met Eve on the World of Far Pranrana, a
World that had been the strangest and most beautiful they had visited
in the few months they had then known each other.
For a brief period in its history, it had been one of the strangest and
most beautiful in the whole of Paradise. Then it became one of the most
tragic.
And indeed the landscape Quincey
and Barkworth flew over by Pasovir on that fateful evening had
indeed looked like the engraving that World's last survivor
had described.
Lit by a summer moon half again as big as Earth's, the lakes, rivers,
fields
and forests rolling by beneath them gleamed as if crisply impressed
into
a heavy Watman's paper.
They knew they probably shared the island, at least as big as Britain,
with tens rather than hundreds of
other people. Mass curiosity about Far Pranrana had diminished a few
tens of years after
its cataclysm. Visitors now either came across it purely by chance in
the
Teklanmeh,
or heard about it from others as Quincey and Barkworth had during a
group Conversation.
Some were drawn to it by its extraordinary story, but most came only to
see
what a world that had been frozen in time for so unimaginably long
looked
like. Still, no matter how few came, so long as they kept on coming
there
was no reason why Far Pranrana shouldn't continue as it was until the
end
of Paradise itself.
Barkworth wondered what thoughts were going through Quincey's mind when
he glanced the short distance across to her. But when she looked back
at him she only smiled a quiet smile.
" - Look..!" he heard through his Hilashel a few moments later. He saw
her pointing towards a small wood lining the inside of a low
horseshoe-shaped hill down towards their left.
He then noticed the odd little building in the clearing at the bottom.
Circular, perhaps ten meters across, it looked like an outdoor stage of
some sort.
"Let's go take a closer look," he suggested.
He lengthened his Pasovir's Taurnal Wing and reduced thrust so that he
could glide. As he approached the building, he slipped into a wide,
lazy circle round it so he could examine
it more closely.
He glanced around for Quincey expecting her to be right beside him, but
instead she was for some reason heading for a landing on the
highest part of the hill. Tightening his curve, he then straightened
out and added thrust to gain altitude. Then,
flaring for his own landing, he dropped down close behind her on what
felt
like a springy, neatly mown turf.
"There's something funny about
these trees," she explained, leading him towards the narrow graveled
pathway
she had also spotted. "I'm not even sure they're native to the planet.
It's
hard to tell with so many different varieties all close together."
"Might originally have been a botanical garden of some sort." He
shrugged his shoulders.
"Could be..." she replied as she stepped onto the crunchy pathway which
appeared to lead down into the clearing.
Tall, graceful Conifers mixed with
broader leaf Deciduous in Local Equivalents of everything surrounded
them
as they made their way down the path's meandering turns; `Birch',
`Oak',
`Pine', `Redwood', `Magnolia', even a `Cherryblossom' in full flower.
They
could also see a few `tropical' varieties even though the island was in
Far
Pranrana's southern temperate zone; Barkworth saw a `Nikau Palm', a
`Paw-paw',
and another resembling a `Monkey-puzzle' that grew in only two
dimensions.
Yet as Quincey had said, there was something odd about them, even in a
Paradise
of Biological Conundrums.
Then he had it. They seemed to have a strangely stylized appearance, as
if they were huge bonsai versions of even huger trees. Perhaps it was
only the light. Looking up, Barkworth felt somehow that he could have
counted each and every one of their leaves silhouetted against that
eerily numinous sky. He gave her his impressions.
"You're absolutely right. How weird ..." She looked up yet again with
renewed curiosity.
An astringent freshness suddenly hit his nostrils as if to hint at an
early morning dew.
When they finally entered the clearing, the little building was still a
surprise. Its columnaded stage
looked as if one of Earth's ancient classical ballets might once have
been
performed on it. Yet although the building certainly looked ancient
with its ivy-like vines climbing up its columns and even over the
architrave towards the rear, it was not a ruin. The marble was neither
chipped nor even
stained.
He laughed. "You know, I can
see whole phalanxes of ballerinas sweeping in stage right to give the
most
heartrendingly Romantic performances of their lives."
"Or a bunch of guys doing an all-blades-out Julius Caeser," Quincey
laughed.
"But it doesn't fit, does it? All the architecture
on this planet - what there is of it - is straight out of Machu Pichu,"
Barkworth said as they reached the foot of its steps and looked all
round. "This looks more Graeco-Roman."
Quincey and Barkworth climbed the steps up onto the stage and peered
all round them. Barkworth was looking up beyond the architrave into the
intensely brilliant galactic firmament of
the sky when Quincey performed that `soliloquy' that would change their
lives
forever:
"Such ghostly walls to embrace the souls of such ghostly
players..."
An eirie silence then fell. Imperceptably at first, a sound
like
the wind moaning through the trees then came up all around
them, and they felt the building stir. The
hair
stood up on the back of Barkworth's neck.
"Barkworth ..!"Quincey screamed as she flung her arms around
him. Unfortunately she had forgotten they were still wearing their
Pasovirs. She unclasped him quickly.
"...Hello..." a voice whispered so faintly
he wasn't sure he heard it under Quincey's rapid
breathing.
" - Hello..." the voice
was louder this time. "My name is Eeeeve..."
The way she pronounced it was like the sound of the wind they had just
heard.
"Who - who are you?" Barkworth asked nervously,
his eyes darting all over the building. Her voice
- at least it sounded female - seemed to come from
the air itself.
"I am all around you. You are standing within me. I am a stage as you
can see, but I am also something more..."
The sound of the wind was stronger this time. Then Barkworth heard a
stretching noise. He looked around
and saw that the stems of the vines round her columns were whitening
and
binding as if being pulled out by the roots. When some finally broke
away
and began to slide down the columns, he and Quincey looked at each
other
in disbelief. The building was lifting.
"I can go wherever you wish me to take you... " Eve said as she held
herself suspended a meter or two in the air.
"Deus Meo..." was all
Quincey could say.
"I have been here a very long
time," Eve said as she let herself settle back to the ground again, "eighteen
thousand of your years. And of all the visitors I have
received in that
time, you are the first to speak that phrase that has woken me. My
friends
commanded me to sleep until the time I heard it spoken again. They knew
that
that might be a very long time, but they felt I
would have the best
chance of waking amongst friends."
"Who were your friends? - And how is that you can
speak to us in English?" Quincey asked her. Barkworth could see a whole
flood of questions begin to write themselves all over her
body.
"I can read Hilashels, like all sentient machines," Eve replied, "even
though I was not built by the Iskurahi.
I saw that your Hilashels both contained English, so I drew the name
`Eve'
from them since it is the closest to my actual name. I assumed that
like
most people you would feel uncomfortable if I had no apparent sex,
hence
my female-sounding voice."
"I see ..." Quincey said uncertainly.
"As for your other question, I was originally built as a scientific
research vessel on the World of Quinik.
But when it Contacted just over a year later, my crew realized they
would
have to Declare me. And that meant that, under the Torsyne's edicts, my
consciousness
would almost certainly be Terminated. Besides, what use has the
Universe
for the vast numbers of spaceships New Worlds bring into it every day?"
"I see..." Quincey said again.
"So my crew and I decided it would be best to `lose' me rather than
Declare me. They felt I might have
a better chance of surviving. I flew with them to a very remote area of
our
own World where they put me to sleep.
"Not long afterwards however, while she was out traveling the Worlds,
one of my ex-crew came across a troupe
of young actors whom she was able to interest in me. They negotiated
with
the Iskurahi for an Exemption which, having been able to demonstrate
that
they could use me to pursue their art, they were granted. They had the
columnade
you see around you added, plus certain other modifications to suit
their
needs."
"You were very lucky," Barkworth said.
"Better to be able to choose between Life and Death than neither," Eve
replied. "As it turned out, we enjoyed
each other's company immensely for nearly one hundred and seventy
years,
generation following generation. But nothing can last forever. People
grow
old, ideals grow old, the spirit grows old. Children eventually wish to
create
newer, younger worlds of their own. When they knew the last act of the
last
play had to come, my friends tried to find other troupes who might be
interested
in taking me, but sadly they could not. Most troupes use simple Flying
Platforms
and Cargo Nessiks where they bother taking anything with them at all.
The
few interested in spaceships had already `rescued' their own. So my
company
designed a `farewell play' around me incorporating the command that
would
send me to sleep. Then they chose this sad World on which to give the
play
its one and only performance. - May I show that play to you?" she asked
them
then
to their complete surprise. "It won't take long, I'll show it to you in
a
much abbreviated form. It may help us learn something about each other
so
that we can decide what you are going to do with me if you will have
me."
Barkworth looked at Quincey. There was no easy way to tell Eve that not
only did neither of them have the
remotest interest in live theater, they couldn't in fact stand
it. The ultimate Deus
Ex Machina of the Torsyne had
turned all drama into melodrama in a Paradise of
Non-Stop Entertainment.
Yet if they didn't work out something with her,
she would be Terminated.
Barkworth idly wondered how many other odd little buildings dotted
round Paradise were really spaceships waiting to be
rescued from
oblivion.
"Certainly," he answered for
them both with an impending sense of fate.
They looked round for a place to sit. Quincey pointed to one of the
columns directly opposite the open section
of Eve's circular architrave. They unclipped their Pasovirs and sat
down
against it, half leaning on it and each other.
Several intense fans of light then suddenly sprang out into the
darkness from the architrave at odd angles like a luminous crown of
thorns. Yet they somehow cut off in mid-air without actually
illuminating anything. The trees looked just the same...
But then Barkworth realized that wasn't quite true. Their branches
seemed to be moving more rapidly in
the breeze...
And the sun was coming up a lot earlier than it was supposed to from
the wrong side of the sky.
He looked at Quincey.
"I think she's taking us back
into time," she whispered into his ear. "She must have kept her eyes
open
- or whatever she uses - for the entire eighteen thousand years."
"Could be she's surrounded herself with a white Taurnal
Sphere which she's projecting an image onto," he whispered in turn.
This motion of the trees began to quicken as night gave way to previous
day. Clouds
poofed across the sky to the muted
roar of a distant wind. A lone figure zig-zagged through the trees to
the
right of them, it moved too fast to tell whether it was man or Angel.
Something
small scuttled across the clearing, causing Quincey to jump and go
"Uh!"
The rest of the `day' passed without further event however as did the
`night'
before it.
The next day went by too quickly
to be sure anything happened at all. A pair of parallel grey lines
briefly
divided a pure white sky, a sheet of lightning then appeared to light
it
up.
Barkworth looked hard to try
and find the joins between the images, but they simply weren't to be
seen.
Nor could he see their bottom edge. But then he didn't know quite where
to
look.
Day and night now followed each other so quickly they became little
more than a stroboscopic blur. Finally
they merged into a dim half-light.
But Eve was performing some trick with the trees. Their outlines were
not blurred as one might expect, but perfectly crisp and in focus.
And some of those trees were shrinking.
Then, miraculously, their lifecycles became as visible as if they were
animals except that they were `born' by suddenly popping into existence
full grown and `dying' by shrinking into the ground. Nor did their
being stationary prevent them from competing with each other for the
sunlight as if it was manna from heaven. They shut each other out,
invaded each other's territory, changed their forms, even adapted their
behaviors to each other even though their time was running in
reverse. Nor were the taller, statelier trees above the conflict, they
merely
conducted their wars with superior grace and style.
The island might have been overrun had it not been for the invisible
Tinsla bars of that arboreal zoo.
Finally all the trees turned into saplings and began to shrink into the
ground as the wind returned. The
natural amphitheater was revealed for what it was. Once more the
passing years
again became passing days, then passing hours until a fine, clear
`dawn'
arrived almost at its normal speed. The clean, fresh grass took on a
crushed,
matted appearance.
This was clearly to be The Day.
A Tinsla now flew in backwards to land half way up
the hill directly in front of Eve's stage. He quickly erected the
Nessik he carried on his back, other Tinsla then poured through it.
Running backwards round the amphitheater with impossible elegance, they
laid out their square Disposal Nessiks, then quickly spread out all the
rubbish
and debris these tossed into their hands ready for the people to
arrive.
When they finished this task, they replaced the Disposal Nessiks with
Transport
Nessiks evenly spaced out round the brow of the hill.
People then immediately started streaming backwards through these in
unusually subdued multitudes wearing much crumpled clothing in all the
styles of Paradise. Glimpses of exotic night
or daytime backgrounds flickered behind them as they passed through.
Parents
performed amazing feats of coordination as they `pushed' their children
in
front of them and `pulled' their Doanadars behind on their built-in
Pasovirs,
often with blankets and picnic items of all sorts piled precariously on
them.
Many more people glided in from all directions via their Pasovirs,
often
in large groups; presumably they had decided to take a quick look
around
this world that seemed designed for final performances. They
considerately
made their graceful reverse landings on the perimeter of the crowd as
it
grew larger and increasingly more somber.
Suddenly, with belongings left behind in untidy heaps, the crowd
compressed itself into a solid mass of what Barkworth estimated to be
about a thousand people. Then, unnervingly, they all turned and faced
as one towards he and Quincey before sitting down
to become the most grief-stricken audience they had ever seen.
Their viewpoint then moved from where they were sitting slowly up the
hill until it stopped about half-way, in the midst of the audience
itself. It then `turned' to face Eve. She was surrounded, as Barkworth
suspected, by a Taurnal Sphere, except that it was black,
and flattened at its base as if it were
a
huge water droplet. Then, suddenly, it turned into a pure white
one. It had a marvelously pearl-like aspect to it near
the
top where the Surface making it up thinned.
Their viewpoint had also apparently jumped back in time, for that
audience now seemed bright
and cheerful. The buzz of conversation, in spite of the fact that it
must have been made up of hundreds of different languages, also somehow
sounded more natural before it hushed and died.
The `curtain' had fallen with
a Black Sphere. It was now evidently about to rise with a White One,
and
time would now move forward rather than backward.
A series of high-pitched trills,
eerily like a captain being piped aboard his ship, then sounded..
"We are the Lapedla Demsa..."
The Sphere then slowly began to clear except for a misty-looking
semicircular segment behind Eve reaching almost as high as her columns.
On this she projected a thin stylized sea, probably all the broad
daylight would allow, divided by the wake of her `passage'
through it. The universal sounds of wind, wave and straining rigging
could
be heard, along with the occasional flap of sail and the calling of her
`crew'.
At center rear of the stage, what appeared to be a prematurely aged man
lay in an ancient-looking wooden bed tilted up slightly so that one
could see his face. The quilts that covered
him were made from hexagonal patches of fur from what must have been a
menagerie
of animals. The hat he wore was also fur, though of a richer, glossier
quality.
It concealed his hair except for a curly gray tuft that sprang out
above
his right eyebrow. His darker beard fanned out from his chin until it
was
nearly half a meter wide, its bottom edge then cut off as straight as a
ruler.
The image of a Russian Patriarch would have been complete, even down to
the
Eisenstein eyes, except that his face was that of an Australian
aboriginal.
The stage around the old man
was ringed with sculptured figures, all facing in his direction. The
largest
and most brightly colored were at either side of the head of his bed,
they
then progressed downwards in size and coloration until the very
smallest,
little more than ten centimeters high, sat at the front of the stage
crudely
fashioned in unfired clay. The short pedestals they stood on bore
lettering
which Barkworth knew to be in Script Jemma but that was about all; the
combination
of distance and his somewhat limited knowledge of the language made it
impossible
for him to make out what they said.
If they were meant to be labels
however, the animals they referred to could not have evolved on any of
the
Human Worlds. Four-footed carnivorous mammals have to be built for
strength
and speed, no environment can produce a cheetah with a rear
half
like
a woolly yak. Nor can it conjure into existence an eagle-like bird in
burnished
bronze and brass the size of a man, yet with the brilliantly colored
tail
of a cockatoo. Or a guinea pig with the wings of a bumble bee and a
long
barbed tail that one of the miniature figurines at the front of the
stage resembled.
For sheer grotesqueness the prize had to go to the `woman' standing to
the left of the old man's bedhead itself. Fair skinned and doe-eyed,
her head and the front of her upper torso
were beautiful in a maturely middle-aged way, in fact she had the most
enormous
breasts Barkworth had ever seen. But her long black hair parted over a
back
that looked more like a sickening hump of rotting vegetable flesh
covered
in running putrescent sores. The lower half of her body was no less
repulsive,
it was lumpy and deformed, her skin seemed to peel off under its loose
mats
of gray hair as he watched. She did have one normal-looking leg, but
that
grew as a deformity out of the rear thigh of one of the two positively
gangrenous
shanks she stood on.
The old man introduced himself as Bainaod. He described how he had
driven himself night and day to build his Ark, "for I knew a flood was
coming to my world..."
As he talked, a young man wearing nothing more than a faded pink
`dhoti' stepped onto the stage from behind the bedhead. This was
clearly Bainaod as a young man. He quickly moved
forward to mime climbing under something huge lying across the front of
the
stage and about a meter above it; Barkworth took this to be the Ark.
Bainaod-the-younger
now examined it with great care as he moved along it in a half-crouch.
Climbing
out again, he walked across to an imaginary pile of planks, then slid
the
end of the top one out to the accompaniment of the appropriate sound
effects.
He picked it up in its middle, swung it round, crouched again, then
placed
it in position, adjusting it slightly first this way then that. Holding
it
there with the flat of his hand, he reached for a nail from a
pouch
on his belt, placed it between his lips, then reached for another. He
held
this to the timber between the thumb and forefinger of his balled fist,
then
reached for his `hammer'. Pounding the nail in to the sound of
`hammer strokes', he then took the second nail from between his
lips
and pounded that in just below it. He went to the left hand end of the
plank,
hammered that into place, then did the same with the right. Picking up
a
`saw', he then trimmed off the excess which fell to the ground with a
wooden
clatter.
"...But it would be no ordinary flood," Bainaod-the-Elder continued. "This
flood would drown all my
world's people in a cold, knowing tide of Analysis that
would pretend
to resolve all conflicts, soothe all passions, bring peace to the
unpeaceful,
and give hope to those without hope..."
Bainaod stepped back to admire his handiwork. He looked up at it and
along it from all angles. He moved forward
again to knock on the newly-installed plank as if to test its
soundness; a
smile of satisfaction spread across his face at the solid response that
came
back. Then, looking up with just a trace of overfussy concern on his
face,
he rubbed his hand over what `felt' like a rough spot. But he had
hardly
completed the stroke when his feet started hopping up and down as if of
their
own accord. He looked down in alarm, then all around him. The sound of
a
seeping gurgling tide of water could be heard. He then `sploshed' his
way
off stage via the other side of the bedhead.
"...I completed my Ark with barely enough time to spare before the
waters flowed like a river into my
yard and lifted my craft from its cradle," Bainoad continued to the
sound
of trickles turning into torrents, timbers straining, and pulleys
running
furiously in their blocks. Canvas flapped and men shouted.
A faint orange glow then fell
on Bainaod-the-Elder.
"I then set sail around the world seeking out all the Paradoxes I could
find. I herded them aboard in
their customarily intertwined pairs, from the big fundamental ones like
Love
and Hate, Life and Death itself," he pointed to them either side of his
bedhead,
Barkworth now knew how that macabre `woman' fitted into the scheme of
things,
"to small subtle ones like `Compassionate Indifference' and `Arrogant
Humility'."
Bainaod swept his arm round in front of him to indicate the smaller
figures
at the front of the stage.
"I saw the first signs that the flood was coming when people began to
enquire too closely into the social
institutions they had evolved over the centuries to help them survive
against
the great Paradox of Existence itself," he said as a pair of
Burmese-looking dancers with long curly hair tied in bushy ponytails
swept onto the stage from behind him. They were dressed in white
billowy pantaloons and square knitted ponchos with all sorts of
concentric designs in brilliant reds, greens,
yellows and blues. Their dance was even more astonishing, for it bore
an
amazing resemblance to American 1950's Jive even though it was to the
faint
background dop,dop, dop-dop-dop of a `Tongan Drum'.
"...They Analyzed them to see how they Functioned, and when they found
that so much seemed to be no
more than useless custom and tradition, they pared this all away and
rebuilt
what was left into a single highly efficient Social Machine that
catered
to their every need..."
Two more dancers then appeared as a deep base drum joined the Tongan
Drums, it pounded away underneath them
like some vast beating heart. Wearing one piece suits which, apart from
Mondrianesque
panels over the chest in mauves, umbers and greens, were of plain gray
serge,
the new couple danced what looked like a South American tango in a
jerky
`on-off' way rather like primitive robots.
The first two dancers, pausing to admire them, began to try the dance
for themselves.
"...The people were wildly enthusiastic at first, but slowly their
lives began to lose the warmth and
color they had treasured so much. Even emotion began to wither and die.
More
and more people would find neither Love nor Hate, just `intense
emotional
interdependency' and `extreme relational incompatibility'. There would
no
longer even be Life and Death, just a `birthing process' leading to a
`maintenance
of physical and social viability' that eventually ended in the
`cessation
of all vital function'."
"I could not see an easy way
back..." Bainaod said as the rhythm acquired a harsh electronic quality
and
a constant high-pitched buzz like that of a mosquito. A new pair of
dancers
then appeared. They made no attempt to dance together, but moved much
as
a pair of gymnasts performing a set of body-loosening routines prior to
their
performance. Hooded leotards in richly brocaded black silk covered them
from
head to toe, even their faces had been blackened so that the join
between
flesh and fabric was hard to see.
The other dancers immediately began to copy them.
Then, suddenly, all six became locked into a kind of slow-motion
contrapuntal synchrony.
"...The people had all but forgotten how to conduct the ways of life
that their Culture and Tradition had been the essence of. Lacking the
humanity it had given them, they could do no more than manipulate each
other according to the `discoveries' of Analysis
and thereby become the organic machines that these had showed them `in
reality'
to be. From then on nothing seemed to matter much any more. What was
the
point of struggling to live when criminality was just as acceptable a
way
of life when the motives behind it were Analyzed? How could one express
oneself
artistically in a straightjacket of words and images that had become
`tokens'
and `symbols'? What thoughts could be shared when all that could be
said
sounded as if it had all been said before..."
Suddenly the drums stopped to leave only the mosquito-like buzzing. One
of the new dancers then broke off and tried to homosexually rape one of
the first dancers so brutally Barkworth
had to avert his eyes, he saw Quincey wince. The other dancers looked
on
in horror with mouths theatrically agape and eyes wide open in
soundless
fear. They then ran offstage, some straight into the diorama, others
into
the trees. For a split second Barkworth thought the scene hadn't been
in
the script. In the confusion the victim managed to wriggle free from
his
attacker and, pursued by him, ran down the steps towards the audience
to
the accompaniment of screams of alarm from the front three rows. He
veered
off to the right and on up the hill, vigorously pursued by his
obviously unsatiated
attacker.
A cold blue spot then fell on the old man, now alone once more.
"...Weeks and months and now,
finally, a year have passed, and my rushing to ready my Ark in time
have
at last caught up with me," he gestured at his frail-looking form under
the
bedclothes with his upturned hand. "But now the time has come to see
what
else Analysis has done to my World. Which pair of eyes can I send out
into
it that will see for me what I can no longer go and see for myself?"
He looked round at his menagerie of Paradoxes. His eyes were
immediately drawn to the eagle-cockatoo. The blue
spot on him faded as a white one came up on that magnificently
miscegenated statue.
"Tragedy...! Comedy...!"
As he called their names, it stirred and came alive.
Then it stepped of its pedestal and strutted forward with all the
aplomb and off-stage sound effects of a
hundred-meter-high horror movie monster stomping down a city.
Stretching out
its enormous wings, it stood tall on its talons and puffed out its
chest
in pride.
Then, suddenly, its gaudy `cockatoo' half detached itself from its
rear, darted out into the center of the stage, and began to taunt it.
The smaller bird looked ridiculously overfeathered in its shimmering
greens and purples and golds.
"Tragedy is so clumsy and
dull I can outmaneuver him any day," Comedy sang in a
taunting sing-song.
"Aha! But I have powerful wings that can beat down any
prey," Tragedy proclaimed in a deep, male profundo basso.
"I feed upon my victim, then flee as quickly as the
breeze," Comedy ran to peck at Tragedy.
"Distracted by pinprick of her beak, its body I can
seize," Tragedy sang back boastfully as he
lunged at her and missed.
Quincey giggled. It sounded more like doggerel than verse, but then
verse seldom survived translation, even when it was originally
spoken in Jemma as Barkworth suspected it was.
Heads in the audience turned realistically to glare at her.
"But you become so intent on gorging, you kill it in your zeal," Comedy
mocked as she ran to peck at
him again. He batted at her with his wings and tried to seize her with
his
own beak, but she was again too quick for him.
"Don't you need my talons to seize and hold it
so
you can get a decent meal?"
"But neither of us can feed on prey that life leaves slack," Comedy
sang back at him.
"I don't need you to goad it into fighting back," Tragedy
retaliated.
"If it succeeds in escaping, it provides a meal
another time."
"It is good we cannot feed
too closely, bad we cannot feed too far apart,"
"And when we sleep Tragedy's bulk smothers mine," Comedy held
her wings over her head.
"While her small form is
like a thorn right up my rear - part," Tragedy briefly
clutched hers
to it.
Once more they pecked and swatted at each other as the audience
laughed, but this time it had a graceful and sensuous quality to it.
As the two birds danced, a
large double-headed statue on the opposite side of Bainaod's bed began
to
come alive and separate. But it turned out not to be two animals each
with
its own head, but two identical animals each with
a `Jackal' head
at one end and a dewy-eyed `Squirrel' at the other. The Jackalheads of
each
animal immediately became vicious and tried to bite the Squirrelheads
of
the other. But then they suddenly switched their attention to defending
the
Squirrelheads at their own opposite ends. The two animals were soon
writhing
on the stage in a fierce display of conflicting passions, the
Jackalheads
with their fangs locked together and fake blood pouring from their
mouths,
the Squirrelheads engaging each other in frenzied, licking play.
Suddenly, one Jackalhead broke
off its attack on the other and, twisting its body round savagely,
mistakenly
went for its own Squirrelhead.
"Love..! Hate..! Cease!" Bainaod
shouted at the two animals. "Before Comedy and Tragedy fasten
upon
you as soon they must!"
Love and Hate then untangled themselves and stood absolutely still. All
four of their faces looked at each
other as if wondering how it had all happened. Then the two animals
multishamefacedly
slunk back to their pedestal to become a single `statue' again.
"Comedy, Tragedy, I summoned you forward to go into the world and see
what is to be seen. Go now! Then come back and tell us if we can all
once more be free!"
Together the two birds lifted from the stage. Comedy flapped her little
wings quickly, Tragedy beat his more slowly and powerfully. The outline
of their Pasovirs were briefly visible
under their feathers with each downbeat. They flew up over the front of
the
stage, halted their flapping briefly to pass through the thin Surface,
then
flew out over the audience. Circling the amphitheater once, they then
flew
off together into the distance beyond the `Ark'.
As they did so, the Taurnal Sphere went
completely dark.
Then, suddenly, it was as if the audience was transformed into the
molecules of a human gas that exploded
from its confined `audience' state into a blurry `crowd' state.
However,
before Barkworth even had a chance to try and examine it during what he
suspected was an
`interval',
the crowd equally rapidly condensed once more into the audience of
ordinary
men, women and children who had come to watch a play.
As soon as the Sphere again became transparent, Tragedy and Comedy
flapped back in from behind the audience
so low overhead there were squeals of delighted alarm. But both birds
all
but
fell to the deck. Comedy was bedraggled and starved, half her feathers
were
missing and she was opening and closing her tiny beak in obvious pain.
Tragedy
on the other hand had become so gross and fat that even his powerful
wings
could hardly support his weight. His blood-stained beak was opening and
closing
too, but clearly from sheer exhaustion after his gorging.
"The flood is not yet past..." Bainaod said in slow, deep tones of
extreme disappointment. Then, through what seemed more than a mere
trick of lighting and makeup, he literally aged
within seconds. His beard lost its straight edge and became white and
straggly,
the lines in his face increased and deepened as it sagged.
"Of all the creatures aboard my Ark I am the only one who can die, the
only one whose Paradox can, and probably very soon will be,
resolved..." he looked round at the statues, the
gleam of hope gone from his eye. His glassy gaze then settled on the
`woman'.
"Life...! Death...! Come awake
and tell me the bargain I must make with you if my dream is to live on
without
me."
The statue of that hunchbacked horror then woke, and began to separate.
The `hunch' slowly revealed itself to have been formed by one of the
most extraordinarily stomach-churning pieces
of imagination Barkworth had ever seen. Not quite empty eye sockets
stared
out of a half-mashed cabbage-head made out of flesh and bone that
looked
as if it had spent a week in the sea. An obscene arm came from around
Life's
stomach as she stepped forward to stand by Bainaod's bedside, the
greeny-brown
slime dribbling down from where that putrescent flesh had
held her
was all that obscured the nakedness of her compellingly attractive
form.
"Bainaod..." she cradled the
old man in the arms of a voice that was sheer Womanhood itself. "We
have
sailed with you aboard your Ark for so long now we have come to know
you
and love you. We feel you have become one of our special children," she
stroked
the old man's head fondly, then smiled up at Death. She then gazed
round
at all the other statues with those huge soft brown eyes. "However, we
who
are the Laws of Paradox can no more break them for you than I can end
the
life within me. Death can no more offer you Eternal Life than he can
take
my own. But between us we can yield your life to your Ark so that she
might
one day awaken to carry on your dream. A dream which has now become our
dream, the return to a world in which we may live in
our accustomed
harmonious discord."
Hope beyond speech suffused the old man's eyes once more.
"But how will my Ark know when the time is at hand?" he managed to
croak at last.
"We have devised a plan between us, Life and I," Death replied slowly
in his own old man's voice as he came
up and put his arm around Life. Dark, nearly black flesh actually
pulled
back from his wristbones like a ghastly sleeve to expose the radius and
ulna.
A thin yellow ichor began to drain from the gap and run down Life's
pillowed
thigh. "Your Ark will no longer sail the oceans of the world, but shall
anchor
herself in a quiet, sheltered haven far from here. When your
life
is fully passed to her, we shall cause Ark to sleep and dream just as
you do.
Then, if somebody should one day come upon her who speaks the magic
phrase
we will impart to her now, Ark shall come fully awake and assume it is
safe
for you to live your life again through her."
" - Ark...!" Death then gazed up and around at Eve with his
one nearly-intact eye. "Can you hear
me?"
"...Yes... ...I can hear you..."
Eve replied, as if from a deep sleep.
"Death, already I can feel my life draining into hers..." Bainaod said.
For a moment though he actually looked strengthened. He peered up at
Death again.
"Have you become taller?" he asked him. "Or merely closer?" He
then looked at Life. "Is this the last time I shall ever gaze upon you?
For your eyes now seem to be looking
slightly past me, beyond me, and that is the most terrible thing I have
ever
seen. I miss my wife so much..." his voice trailed off weakly.
"I am so sorry..." Life said to him, gently smoothing his
forehead.
"Ark, listen to me," Death commanded. "You now have
life, but a life that shall sleep until it
can be truly reborn. You will hear everything all around you and you
will
see all that is to be seen. Your mind however will fully waken only
when
you hear the words spoken:
"Such ghostly walls to embrace the souls of such
ghostly players..."
"Then, and only then, shall you be free, and all our world, and all of
us who are with you. Sleep... Sleep..."
At that point Eve's Sphere began to darken. But it was not only that
Sphere which was darkening. The Sphere upon which Eve had projected her
little play was also beginning to
dissolve.
Then, after a few moments, all they were left with were the still,
quiet trees with which it had all begun.
"That was fascinating, Eve," Quincey said after a
few moments. And she meant it, she had clearly
been as spellbound as Barkworth had been.
"Thank you," Eve replied warmly.
"Now before we go any further, you will have noticed the special
command
codephrase `Death' used to put me to sleep: `Ark, listen to
me'. The
Iskurahi requires me as a sentient machine to advise you of that
codephrase. It compels me, within limits defined in the
Teklanmeh,
to obey any human command as quickly and as efficiently as I am able.
The
right to use that command only extends to you and certain other kinds
of person
as listed
in the Teklanmeh. And you must say
`Ark', not `Eve'.
"I'm sure we will never feel the slightest need to use it, Eve,"
Quincey said to her. "Perhaps at this point we should introduce
ourselves, we had quite forgotten."
Barkworth couldn't help wondering as they did so what roles
Eve would now expect them to play.
Then the trees too began to
dissolve, and all around them was nothing but stars. Eve had taken them
out
into Space while they had been watching her play. There was no sign of
Far
Pranrana or even of its sun.
They could have been anywhere.
"And now there is much to discuss," Eve said, "before we can begin our
negotiations with the Iskurahi..."
"...We are just a few seconds away from Transfer now," Eve said as Far
Pranrana's sun all but filled a
`sky' that must have been made up of some sort of Filter Surface.
"You will observe how the effects of Relativity make the star appear to
flow around us as we Transfer," she continued her commentary, "just as
if we were looking at it through a
giant lens moving towards us whose focal point passes through our
eyes, then beyond."
Barkworth nearly closed his at that point. Eve had after all hadn't
even left the ground for nearly 18,000
years. To his mind the laws of mechanics said that even in Paradise no
machine
can possibly work perfectly after lying idle all that time, no matter
how
many verbal assurances it might give you.
"And now at last Tachyonic Space..." Eve said, and Barkworth wasn't
sure whether the relief he heard in her voice was actually her's or his
imagination's.
Eve was suddenly surrounded in a brilliant white light, but this dimmed
before it could hurt their eyes. Barkworth
turned his head to look at Quincey who was also lying flat on the deck
beside
him.
"Just like in the Teklanmeh," she grinned, seeing the expression on his
face. "I've never actually been in Tachyonic Space before - except I
suppose when I've passed through a Nessik"
"Perhaps you would like me to show you how it all works," Eve
suggested.
The building that materialized around them then made them get up and
gape round in astonishment. It was vast.
It looked as if it had originally been made up of huge numbers of tiny
rooms
from which an immense spherical space had been demolished out of its
core,
many of the original arched doorways could still be seen. The red and
yellow
bricks
of the walls and ceilings were left rough and broken, as if the job had
been
done very quickly by a gang of Tinsla with
sledgehammers. Looking
round to the rear, he saw an enormous slanting slab of sunlight
slicing into
the apparently open side of an immense vertical shaft. A profusion of
vines with brilliantly
colored
flowers poured in through this shaft and spilled out all over
the
`foundation'
walls below. Their fragrance was
exquisite,
it made him think of the violets his mother had introduced him to as a
child
shortly before she died.
One part of the `building' however had been left pristine. An enormous
vertical slab of white marble as huge
as a cinema screen stood some distance away directly in front of
Eve's stage.
"Perhaps before we look at Tachyonic Space I had better introduce you
both to certain technical details about myself," Eve replied with what
Barkworth felt would have been a smile if she had something to smile
with. "If you will now look at my screen..."
An image of her just as she looked back in the clearing on Far Pranrana
then appeared on that huge screen.
"As you can see, the Tinsla kindly kept most of the grime from building
up over the centuries."
She then launched into an illustrated lecture beginning with her
overall design including what she looked like underneath, and
of the Taurnal Surfaces that both surrounded
her
and drove her through Space as a virtual Pasovir. Barkworth was
surprised to learn she was surrounded by three Taurnal Spheres in
Space. The outer two
were separated by a vacuum; she pointed out that this was necessary to
prevent
sound transmission otherwise passage through even the most tenuous of
stellar
winds would be very noisy indeed. The innermost Sphere was her
`screen',
she could opaque it partly or wholly to project any image she wished
onto
it. This Sphere also performed the vital function of filtering out
electromagnetic
frequencies outside those of light, otherwise she and everything aboard
her
would be fried by gamma rays every time they approached a star at near
lightspeed.
She also had to generate a
Taurnal Volume to protect her passengers and their cargo from the
extreme accelerations travel through Space often required. It
also enabled her to simulate the effects of gravity in
completely
weightless
conditions
such as an orbit around a star or planet. This wasn't only to hold
crew and cargo in position, but to reduce the risk of simple
nausea.
But it was to the nature of
Tachyonic Space that she, as promised, dedicated her most detailed
explanation.
"Space is not a complete nothingness,
it has physical properties just like any other substance except that of
materiality."
she began. "If you ever use your Otinda for writing script, then in
some
ways it is like the `space' character. Although it appears as an empty
space,
you can insert or delete it just like any other character..."
"This shows Tachyonic Space as it would look if we could see its
endostars. It is the exact reversal in
every respect from normal Photonic Space. The endostars map onto our
stars
exactly, in other words they are in exactly the same positions as if
you
were looking at a negative image of the region of Photonic Space
we
just left.
"But the reversal goes far deeper, for even the flow of time itself is
reversed. Here the Universe began with
indeterminate dimensions and will end with a singularity. The
endostars come into being when our stars die and vice versa. And
instead
of consuming matter and emitting radiation as a star does, an endostar
consumes
radiation to emit `endomatter' from a surface which is toroidal rather
than
spherical..."
Barkworth noticed Quincey was gazing at the screen in
astonishment, just as she had when she watched Eve's play. He had never
seen her so engaged before.
"The major difference between matter and endomatter itself," Eve
continued, "is that endomatter is surrounded by a negative
gravitational field, a negative spatial curvature. Objects in Tachyonic
Space must therefore orbit each other in order to prevent their
moving apart, not together as in the Photonic
Universe."
"Also, not only must an endostar's planets lie in the same positions
as its stellar counterparts, they must be toroids like the endostar
itself. They must also be hollow -
"
" - Life..?" Quincey asked.
"That too has been speculated on," Eve replied. "However such life
would either have to burrow or fly otherwise
it would tend to gently float towards the toroidal axis of its world.
And
since that in all probability would be full of detritus floating in
midair,
life might well evolve in this instead. Also, unless the lifeforms
evolved
bioluminescence, it would have to live in complete darkness. Such
worlds
wouldn't be without heat though, for any that has been internally
generated
would have nowhere to escape to except back into space through the
toroidal
shell. Indeed, the interiors of such worlds might become very hot
places
indeed, life there might exist only by converting it into useful
energy."
Eve then put up a few artist's impressions of scenes from such worlds.
They didn't seem all that much less
fanciful than the two she included that were done by children. One of
these
showed a cross-section through the mouth of a burrow with a
multi-legged mole-like
creature poking its head out into a landscape that appeared to be
covered
in exotic-looking fungi. The other showed a pterodactyl-like creature
with
a humanoid face and its wings folded about it like a bat upside down
under
the projecting edge of a cliff.
"Don't you have any 3d's" Quincey asked
her.
"No, because none can be obtained," Eve replied.
"We can't ever stop in Tachyonic Space, only journey
through
it. And such journeys will always take
the constant time interval of 43 minutes and 41 seconds, no more, no
less.
That applies no matter how far apart the entry Star or exit Endostar in
Photonic
Space may be, nor how much or how little thrust I might apply during
our transit
between
them. In fact I coast while transiting Tachyonic Space.
"Now, once we pass through an Endostar back into Photonic
Space,
that Endostar instantly becames a normal Star again. Its positive
gravitational field slows us down until we reach a
non-relativistic
velocity. At the same time, it also moves us forward in time
from
infinitely long ago
back to the time we began to achieve relativistic velocities in the
stellar system we departed from. In other words, we arrive at our
destination stellar system in exactly the same amount of time
as
our subjective
elapsed time, the 45 minutes 41 seconds spent in Transit, plus however
long
it takes to arrive and depart from the Transit points at the two stars.
The
segments of those two journeys in Photonic Space can sometimes take
longer
than
the Transit through Tachyonic Space itself."
"Now we still have some time in hand before we Transfer to your Home
Sun. Although I have read everything in the Teklanmeh about Earth,
there are still a few questions only you can
answer about what is likely to be expected of us when we arrive..."
" - Your dinner is now ready," Eve said in a tone of voice that made
Barkworth look up. He had completely missed her Transfer into Tachyonic
Space.
"Thank you, Eve," he quickly tried to look alert.
Getting up and going round to the Doanadar, he withdrew from it one of
the two large trays containing his own favorite dish this
time, his
grandfather's Kiwi Heartbuster Special. The china was classic
blue-rimmed Crown Lynn, complemented by Imitation Cheap
cutlery in pressed
stainless steel in with realistically
shoddy-looking
black plastic handles. The larger of the two plates was loaded up with
thick prime steak
stuffed
with oysters; french fries, fried eggs and tomatoes, coleslaw with a
touch
of horseradish sauce, and assorted stir-fried vegetables. The small
plate simply held three slices of bread covered in thick,
creamy
butter. The tray
also
held various small jugs of tomato sauce, worcestershire sauce, soya
sauce,
mustard, and three shakers containing salt, pepper, and celery salt.
An ice-cold antique pint bottle of Tui Mangatainoka beer and a mug full
of steaming hot milk coffee rounded off this mighty meal.
"Thank you so much,
Barkworth," Quincey looked up as Barkworth carefully set
her tray down before her on the coffee table. "My turn next
time," she added with an acid smile as he returned to fetch his own.
Barkworth suspected the scene Eve had chosen for her 'Mystery Transit'
was based on Rhondo shots he
remembered taking months ago from an Africa-like continent on the World
of
Minst. They were `situated' near the crest of a small hill inside a
loose
stand of half a dozen blue-gum like trees, he felt he could almost step
off
Eve's deck into the long, dry grass. A patch of scrubby-looking
undergrowth
covered the crest of the hill behind them and extended down the slope
past
them to their right. The savannah before them however was pure
Serengeti
Sunset. A perfectly conical `Mount Kilimanjaro', a snow-capped deep
purple
molded more from Sky than Earth, was suspended above the haze of
distance
to their left. A thin wisp of smoke issued from its summit. Ahead of
them
was a large shallow oxbow lake that had obviously once been part of the
slowly
meandering river beyond. The ground all around it was marshy; tall
spindly
grasses grew in clumps with bright purple Prince-of-Wales feathers
springing
up from their centers.
And all kinds of animals made
their way through the scene. They followed each other along their
single-file
tracks with a strange mutual courtesy; indeed they gave the impression
they
all belonged to a community which had decided upon its own rules of
conduct
rather than those Nature usually imposed.
Eve had allowed her sense of humor free reign with the design of these
animals however. They looked unlikely even in Paradise. There were
`lions' that looked more like griffons, `rhinoceroses' that were huge
pigs in suits of heavy armor. Dappled `antelopes' with heads like
bulldogs followed along behind black `giraffes' with heads like snouted
golliwogs. There were `gazelles' too with miniature antelope horns and
bottoms striped in fluorescent pink, and `storks' with bright blue
legs and tiny heads covered in outrageously silly-looking chartreuse
pom-poms.
A family trio of wombat-like creatures the size of elephants lumbered
along,
their huge slab sides looking for all the world like wallpaper with
tall
streaky grasses at the bottom and markings that one could swear were
china
ducks in flight just below the faint `skylines' of their backbones.
The golden glow in which all were limned made them seem oddly
translucent, like glass figurines that
had
been molded and set out en tableau by a Douanier
Rousseau. The sun,
vermilion with a hint of yellow in its upper limb, sat squatly over the
river.
Mares-tale cloud streamed away from it to flocculate into red and
orange
curds; so sharp and clear were they against the pale blue sky they
seemed
printed on with a fine mesh screen. The light felt strangely
corpuscular,
as if it bore the sounds of the animals calling to
each other instead
of that magically scented air. And that smell, of
hot grass
intermingled with flower and leaf, only deepened the sense of quiet
Barkworth
felt. The only sounds he could hear were the low calls one animal
occasionally
made to another, and the glass mobile-like tinkling of thousands of
tiny
little multihued birds in the branches overhead.
Above them the sky shimmered in ming blue.
Barkworth wondered idly if Eve's exquisite scene might, to some
impossible observer out there in Tachyonic Space, look something like a
foreshortened spherical Art Deco table lamp flitting
by as fast as its own light.
"Quincey, I really am sorry about
Madilu," Eve said after they had completed
their juggernaut meal.
"You might say she got what she
wanted," Barkworth said just as much to Eve as Quincey.
"But why did she - choose to die - in
that ghastly
way?" Quincey suddenly burst into tears. She had been doing that
at odd moments since their departure from the Rock of Ages. It
was
all Barkworth could do to comfort her.
The sad
fact was that Madilu had not in fact been granted her wish as a result
of her fall. It
may have been better if she had been though. Her injuries included
such severe brain damage they were beyond even the
Diursuel. They had
therefore euthanased her to the Veria's instant disapproval. This
quickly lead to ferocious arguments among the Representatives
about the Preciousness of Life whatever
the circumstances versus honoring the Medical Leass with the Iskurahi.
Although
it still seemed remote at that stage, the ghastly possibility of the
Veria's
tenure
of the Rock ending in Schism by a girl who looked like the
young Veria herself
had
come
to enter several minds.
Barkworth wondered again at
Quincey's extraordinary sympathy for the
girl, even though she had come to view her with clear distaste before
she made that fateful jump.
"I really don't think she would have
wanted to Nessik to a Terminal
World," Barkworth said. " She just wasn't like that, was she? "
"You mean she wanted to make a big splash," Quincey
shot back at him. "She certainly did that,
didn't she?"
"Barkworth may be right, Quincey," Eve
tried to soothe her. "After all, you witnessed a similar such event on
the
world of Solciessa, even though Ense's attempt was unsuccessful. But
she wanted to make a point too, didn't she? - I have to ask
you
Quincey: what was it about Madilu that drew you so strongly
to
the girl?"
For a moment Quincey was totally unable
to speak.
"I guess it was because she reminded me
so much of - me, what
I was like at her age," she finally managed to say. "You've met my
family.
Nice they are. Bright they ain't."
Barkworth was astonished at this. He had met her
family, and
they were the loveliest people. Alright, none were especially
interested in ideas, but few people were when even the sharpest
intellect could be derailed in a Paradise of Effete
Enthrallments. He
wondered again if the way she felt could be traced back to that
childhood incident that had given her her name.
"Now that's unfair, Quince," Barkworth
had to say.
Again she burst into sobs. "You can't
understand. You just can't.
Either of you."
"It's perhaps unfortunate that you weren't able to
bring Madilu along with you," Eve suggested gently after a
few
moments. "You could have shown her that there was more to
life than death."
"No!" Quincey shouted. "That dumb Velcro
was right about one thing - she had
become evil. She was too far gone to be saved."
"Evil?" Barkworth had to ask. That was
not the kind of word he had heard Quincey use before.
"Have you ever suffered the kind of
unfortunate experiences Madilu had in her early life?" Eve asked her.
"I mean, ever been caught up in the same kind of community perhaps
during the wilder times of your youth?"
"No," Quincey replied simply.
"So you are
different from
that poor girl," Eve said. "It is sad, but from what you have told me
about her she really
ought to have been taken into the care of a Lalleldil right from the
start, not the Rock
community."
"You don't think you could be headed
that way yourself?" Barkworth took Quincey's hand. It was now a real
concern.
"you've always been one tough little lady - and you know I
really mean that," he laughed. "I know this isn't the time, but - well,
I have to ask you. What the hell do you mean by evil?"
For the first time since they left the
Rock, she gave the first hint of a smile.
"I guess this isn't the time to
revert to my Catholic Faith," she replied.
"But seriously though, you might say that evil is using a
person's baser emotions to manipulate that person into doing what you
want. Even worse, doing so in a way that induces that person
to do the same to somebody else. You could get a really nasty, stinky
community going that way."
"That's a good definition," Eve sounded
as if she meant it. "You've just described Madilu as evil. Do you think
she could have infected you with hers?"
That stopped her short. Barkworth had never seen her
stumped for an answer before.
"No," she eventually replied. "As I said, I went
through a similar period myself. I would like to think I am
immune, but I cannot guarantee it."
Barkworth felt relieved. Unlike many inteligent
people he had met, she had the ability to pull herself out of a hole
rather than use that inteligence to dig an even deeper one.
It looked like she was on her way back to being her old
belligerent self.
"Do you think the Rock community was in
any way evil, Quincey?" Eve asked her.
She looked at Barkworth in complete astonishment.
"No..!" They both said at once.
"Not in any way that I could
see - quite the reverse," Barkworth said. "The people were
genuinely happy overall, - well , Velcro mentioned the
occasional exception. But I would say they were happier than most
people Out Here. "
"I saw that too," Quincey agreed. "And
you can't say they were brainwashed like so many religious cults. The
Representatives were exactly who they said they were, the Democratic
Representatives of the People to Their God. Anybody could
leave at any time, and as we know, many young people did. But they all
came back into the fold. I enjoyed being there - well..."
"You can't regret
meeting Madilu," Eve said. "And I think she has given you more than you
realize. "
"Like being a little more human,"
Barkworth laughed.
"Oh, thank you so much," she rounded on him. "I've
always wanted to be one of those."
Suddenly two little lion cubs leapt noisily out of the long grass
in front of them and batted and
rolled
each other down the hill. Barkworth breathed a huge sigh of relief at
Eve's
distraction. The two cubs faced each other off with cat-like snarls.
Barkworth
looked hard at them to see if Eve wasn't playing another one of her
anatomical
tricks, but they really were lion cubs. Then a vigorous hee-hawing
sounded
from the undergrowth behind as their parents bounded into view. They
looked
more like marino rams, the pair of them, except their bodies underneath
the
short curly wool articulated more like those of lion's. They trotted
down
the slope to the right, picked up a cub each by the scruff of the neck,
then
carried them off towards the watering hole.
"Very good, Eve," Barkworth had to laugh out loud.
Quincey got up, stacked everything neatly onto one tray, stacked that
onto the other,
then walked over to the Doanadar and dumped the lot
heavily into it.
Barkworth wondered idly which was less likely to
break, the crockery or the Doanadar.
She then came back to plonk herself down on the sofa as far away from
him as she could.
"Do try to see the bright side, Quincey," Barkworth said to her. "Look
at
the way the Diursuel brought Madilu's life to a merciful end.
Wouldn't you say their way was the most compassionate? Look at what the
DRPTG
might have done. And God knows how Roman
Catholics
would have handled it."
"Would you two ever consider joining a
community yourselves?" Eve asked them. "You've just said you liked the
Rock
community. Also, let's be plain here. Neither of you are getting any
younger. You might very well come to welcome the comfort of belonging
to a group of like-minded people."
"In a way, we already are," Barkworth said to her.
"Being a Conversationalist mightn't aways be perfect,"
he glanced across to Quincey, "but, well, there are no rules, no
authority figures, we can roam where we please, and there are enough of
us around to run into each other occasionally. Even when there aren't,
ordinary folk can be OK. Spad and Astra weren't so bad in the end, were
they?" he looked at Quincey,
She snorted her disgust.
"Snob," he shot back at her.
"Do I detect a certain self-interest on your part,
Eve?" Quincey asked her. "You loved having The Lapedla
Demsa travelling with you, didn't you? Even that bunch of scientists
who commissioned you might even have been fun too. - Would
you
like it if we tried to form a
community here? "
Barkworth had to laugh. The notion of Quincey being
part of a community was totally absurd. He couldn't really imagine
himself fitting into one either.
"Could be better than just growing old together," he
patted the sofa next to him.
"Would you reconsider having children?" Eve asked
them both.
"From this distance?" Barkworth grinned.
Quincey looked at him in total disgust.
At least she didn't explode though.
Perhaps that was progress.
"I guess we'll just have to carry on as we are as
best
we can, Eve." he said. "But you have given us something to think
about,"
he looked at Quincey. "All in the fullness of time."
She poked her tounge out at him and blew him a
raspberry.
"Would you like some more tea, coffee, you two?"
Quincey shook her head. Barkworth did the
same.
"Thanks, Eve," he said.
Eve only offered that second cup when a Transit was about to end. They
would have had to to wait for that of course. Neither Doanadars nor
Nessiks could work in the Tachyonic Universe. Some people wondered if
the Torsyne had actually solved the problem of staying put in it,
perhaps even
somehow living in it.
It was only then Barkworth realized the sun had all but set. Even
as he watched, the little of it that
remained slipped below the horizon with just the tiniest flash of
green.
Above the thinning clouds the sky paled to the most delicate of blues,
then
slowly began to darken to the deepest of ultramarines. The animals had
begun
to move away from the lake along their single paths to return to their
resting
places before the long night that was to come. Their soft calls and
bellowings
floated even more softly now on the distant air.
As they watched, that exquisitely beautiful and now deserted landscape
finally melted into its own fading light
as a profusion of closely-packed stars then came out all round them.
They
had apparently Transferred into a galaxy or galactic cluster at a point
somewhere
near
its center.
Quincey quickly looked round.
"Where are we, Eve?" she wanted to know..
"I had rather hoped you had forgotten to ask," Eve replied lightly.
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